Why I no longer “Hide” ads? Because one day in a BFOO (blinding flash of the obvious) I realized that by doing so I am accomplishing several things on behalf of the advertiser and the social media platform.

First, by NOT HIDING advertisements, I am NOT giving an insight into what I will or won’t buy. Valuable information for both the buyer and seller of advertising space.

Second The Platform (FB, etc) benefit two ways from ads. They are paid 2 ways. 1. to present the ad to you – that is generally known as “views”. Their second bite at the apple comes in the form of “Click Thrus” which means if you respond to the ad by clicking on it, they receive an additional amount.

Another source of revenue is using any of their “features” to collect money on your behalf using the “float”. This allows them to earn money using the financial float. So using their payment and donation “services” also puts $$ in their pocket.

There is a history and the “original” uses of the float both legal and otherwise have declined with the rise of credit cards and on-line payment.

In an article at Investopedia is a brief overview on financial float – the last paragraphs sum it up for my purposes here:
“Real World Example of Float”
Large companies and financial institutions also often “play the float” with larger sums for-profit—namely, the interest income they earn on an amount by speeding up its deposit into their accounts or slowing down a presentation for payment. Such moves are not illegal, either for individuals or for institutions, if the money involved is all their own. ”

So if your goal is to let media and their advertisers not benefit, then you have to give up the convenience of “click thru”

How? note the website for the advertiser. If a charity, send a paper check or use wire transfer thru your bank. Some business you wish you were not supporting will still benefit (Zelle, Bank, PayPal, etc) but not quite so many.
Does this eliminate your “donation” to Big Tech entities like Facebook, Amazon, etc? No, it does not.

A topic for a different day – but yes, they might benefit me directly like our small business for craft supplies – itsalljuststring.com or indirectly – affiliate commission thru my Amazon Store front Enjoy The Making https://www.amazon.com/shop/wheatcarr and other referral links that may benefit us both like this one to InstaCart https://inst.cr/t/NHE7cDZhr where we each get a credit on your first order.

The purpose of this article is to share a starting point of the information necessary to make the best possible investment – time or money – in your choice of braiding equipment.

Let me make it clear – There is nothing wrong with using a disc or improvised or self made braiding equipment. If that is what is currently in your budget. Many of us have; some including me, still do use both MaruDai and other types braiding stands, just remember flat tops are not Marudai and your results may not be of the quality you hope to achieve. And, I DO recommend you “buy a book” and try with improvised equipment as the first step in your research.

In their beginner books Carey & Owen give ideas for improvised equipment – and see if you enjoy it. the braids will not be perfect or wonderful, that comes with better equipment and practice. Remember: There are many types of braiding equipment not every stand is Japanese in style, or evea a MaruDai and it cannot be said often enough – NOT all braids are Kumihimo.

What makes it a Marudai and not “just” a braiding Stand? Whether you know the Japanese name: Hakomi or the often used “English” words like Scoop or Well or Bowl …
The Hakomi Matters.
Without a Hakomi it is not a Marudai

Hekomi Side View
courtesy: Michael Hattori

Why is the Hakomi critical. Perhaps the best answer can be found in two message threads in the FaceBook group: Kumihimo Braiders International in July of 2014 when Michael Hattori was asked, as part of the discussion related to his “announcement:” of his YouTube video and shared with his specific permission:

.. how important is the well in a mirror? I bought one without a well ….
And Michael responded: … we are talking about basics.

The “well” is one of my soapbox topics, and you asked for it! The well is one of THE most important features of a marudai, and in my opinion, any marudai without one should not be used. Its purpose it to provide a “free” space where the threads do not touch the marudai; this allows the threads to fall naturally into place. The depth of the well also causes the threads to angle down toward the point of braiding – another feature which helps the braid to form correctly.

If your mirror is completely flat, the threads move in a straight line to the point of braiding; this means there is friction on the thread almost all the way to the point of braiding, which impedes the formation of the braid. If you are doing just a Yotsu-gumi, you can get away with it, but once you start working with larger numbers of tama, it is absolutely essential.

I’ve said it a million times before, and I’ll say it again: kumihimo has been around for centuries, and the Japanese are known for their ability to refine things to levels unprecedented elsewhere in the world. So, you can bet that every single design aspect of a marudai has been thought out and trialed over hundreds of years and nothing has been left to chance.

It is the folly, unfortunately, of many people who try to make their own kumihimo equipment that this is not taken into consideration, and essential things such as the well are left out.

My advice is to either get a marudai with the well, or find someone who can put one on the marudai you have, paying very close attention to the width, depth and curvature of it.

Sorry for the novel, but you did hit on one of my biggest pet peeves about homemade kumihimo equipment! But I hope I’ve helped you to understand the importance of using a properly made marudai.

2014-07-28 in KBI, Michael shared photos and this additional thoughts.

For … anyone else interested in the “why” of the well on a marudai: a picture is worth a thousand words.

Many homemade marudai are missing this essential feature. These photos show the downward angle and the all-important free space created by the well, both of which allow the braid to “breathe” and form naturally at the point of braiding. The problem with a completely flat mirror is that the threads are then subjected to friction almost all the way to the point of braiding, which can impede the correct formation of the braid; the more tama you are using, the more important this feature becomes.

The marudai has been around for several centuries, and with the Japanese penchant for ultra-refinement, you can bet they haven’t missed anything! So, in my humble opinion, if it ain’t got a well, it ain’t a marudai!

Michael has established the minimum criteria for “what makes it a MaruDai, Well, exactly” – it does not mean other equipment cannot be used, it is just not a MaruDai – Like Michael Hattori I agree if it lacks a Well, then it is not a MaruDai, it is a Braiding Stand – and that tool also has an honorable history, but its roots are not in Japan.

I understand personal budget issues, so like many, it was quite a while before I could afford a Marudai that would “works best for me”. Well worth the wait. That does not mean my braiding stand(s) have not been used, and each as a personal history – only that I always knew my traditional braids would be so much better when I had one.

Meanwhile, for some of the more non-traditional work, beaded braids, wire word and of course – occasional side trips into Victorian Hair work, the flat top continued to be adequate to those tasks.

Thinking about making your own?

Michael Hattori’s measured drawing can be downloaded from my Kumihimo Links Page

added 2015-Jan-09: Not sure if it is mentioned in the Measured Drawing PDF – there are different schools of thought on the height – as was recommended to me (and reinforced by learning the reality the hard way) the top of your mirror should be about the same when you arms are at straight down your side from shoulder to elbow and your forearm is at a 90-95 degree angle to your body. With good back support, this enables me to braid for longer periods

Want to chat about this and related Jewelry & Accessory Making? Join us on FaceBook at: Braids Beaded Kumihimo & More with many thanks to Makiko Tada, Jacquie Carey, Michael Hattori, Carol Miller Franklin, Maryse Levinson, Shirley Berlin, Tim Hale (FiberArtistSupply, Carol Haushalter (Carolyn910), Janis Saunders (BraidersHand). Anita Clark and dozens of others for their permission to include their thoughts and illustrations. Not to mention their decades of patient willingness to answer all my questions about the details and delights of Kumihimo and all braiding techniques.

originally published (and still shared) via ItsAllJustString.COM – Kumihimo and Braiding

Marudai’s I have used and happily recommend: *click for larger image in a new window”

Berlin Braids

BraidersHand

FiberArtistSupply

These books will be valuable to you even if you decide to stick with the Disc. There are many “details” of braiding that will better enable you to take the step from Disc to Dai

Jacqui Carey Click To Visit Info Page

Rodrick Owen Click To Visit Info Page

ID=A – Inner Diameter       OD=B – Outer Diameter       HT=C – Height / Thickness

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Brand Name	SRP*	Size	Handle Fit	Center_A ID_Inches	Center_A ID_MM	Disc OD_Inches	Disc OD_CM	Disc HT_Inch	Disc HT_MM
BeadSmith DD *	5.00	Large	yes	1 1/4 in	35 mm	5 13/16 in	15 cm	0.75in	20mm
BeadSmith DD Mini *	4.50	Small	yes	1 1/4 in	14 mm	4 3/16 in	10.6 cm	0.75in	20mm
BeadSmith SD *	3.38	Large	yes	15/16 in	14mm	5 13/16 in	15 cm	0.375in	10mm
BeadSmith SD Mini: *	3.18	Small		15/16 in	14 mm	4 3/16 in	10.6 cm	0.375in	10mm
Beadaholique:	5.49	Large	no	7/8 in	12 mm	5 7/8 in	15 cm	0.3125in	8mm
Beadalon	3.19	Small	no	15/16 in	14mm	4 1/4in	10.8 cm	0.375in	10mm
Beadalon	3.99	Large	no	15/16 in	14mm	6 in	15 cm	0.375in	10mm
Dazzle-it:	3.99	Large	no	15/16 in	12 mm	5 7/8 in	15 cm	0.3125in	8mm
Fire Mountain	3.52	Small	no	7/8 in	12 mm	4 1/4in	10.8 cm	.3125in	8mm
Hamanaka:	10.00	Large	no	15/16 in	14mm	5 7/8 in	15 cm	.4375in	12mm
Sally Battis:	8.00	Large	no***	1 1/4 in	35 mm	5 1/2in	14 cm	0.75in	20mm
Toner 4-pk	6.99	Small	no	3/4 in	20 mm	4 1/4in	10.8 cm	.3125in	8mm
Weir:	3.95	Large	yes	1 1/4 in	35 mm	5 1/2in	14 cm	0.4375in	12mm
With thanks to Carolyn910, BeadSmith, and Sally Battis for providing some details. And BeadSmith for written permission to use their images.
* SRP is the advertised Suggested Retail Price – last updated 2016-March-10 – Always check your seller for most recent price.
** Prior to 2015 BeadSmith SD discs has 25mm center – this do not fit the BeadSmith Handle – price used is with instruction for 8 and 16 Round Spiral (Japanese Name: Kongo Gumi ).
*** Sally Battis disc has a beveled center opening on the bottom. As a result, although the same Center hole ID on top/numbered side, it likely will not support the BeadSmith handle.

Comments, additional details, questions, corrections always welcomed

If you would like to see the line of BeadSmith Disc for Braiding
visit our e-store by clicking here to see our products and pricing

With the recent announcement of the new accessory for Braiding on Disc – the Kumi-Handle – it seemed like a good idea to address another braiding aid, the Counterweight.

Although I have spent many hours working with a counterweight on a disc so I would understand its use; I do not usually use one. Just not how I learned.

Shown above is the recently released (Fall 2015) version offered by The BeadSmith and the one you will most readily find in my e-store. There are many DIY Solutions and eventually I may put together a list but for today…

So for today’s addition to the “department of general information” espoused by Shirley Berlin – some background on the the three currently commercially available versions of counterweight. It is possible I missed some, but here is what I can “Verify”

First produced in Canada by Jamie North’s partner – Kevin Swanson were the Gator Weights – but like many basically one man operations, with the explosion in braiding interest they apparently had some difficulty meeting demand. I know I often waited weeks for BeadSmith to get shipments and seem to always have the item in back order. These weigh approximately 45gm and 87gm and are slightly larger in diameter than the current Kumi-Weight.

About a year or so ago, the next addition to the counterweight field was put out by Beadalon. There version shown in the compatibility photo are intended for use with their spool knitter and for kumihimo.

The Beadalon hooks are not unlike some machine knitting weights I have use. I have never seen these in person so cannot speak from experience. Like all tools I am sure they will have fans. Still given how I feel about the Knitting Machine hooks I have like that is the look of their hook – I suspect even at their much lower price point, they might not be my preferred solution when a counterweight is required.

Within the product description on my e-shop is more of my thoughts – but I admit to being amused that the first thing TH said was “you won’t use those, the alligator clip will damage your fine threads” – not an issue for those only doing beaded braids with SLon cord.

This all need more thought, but I guess if I were not up for some DIY solutions, then I like that the most recent entry into the market has both the alligator clip and a hook (although I know the folks at BeadSmith have no clue how I will use it besides holding down the table cover on the picnic table.

What is important – is the consideration for those reliant on the counterweight if they will also be using the new Kumi-Handle. With that in mind, I will continue to work with my Handle, use the weight and share my findings.

Looking forward to your thoughts, comments, correction and divergent opinions on to counterweight or not.

p.s. still fact checking the timeline, I know I have the order correct, just need to check further on the exact dates.